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Appointed 1981, Program in Art History |
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Ph.D., University of California, Berkeley, l981 |
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Recent Courses |
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AHI 200A: Art Historical Theory and Interpretation |
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AHI 283: Seminar in Modern European Art |
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AHI 183A: Art in the Age of Revolutions |
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AHI 183B: Impressionism and Post-Impressionism |
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AHI 183C: Modernism in France, 1880 - 1940 |
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AHI 182: British Art and Culture |
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AHI 1C: Baroque to Contemporary Art |
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Recent Publications |
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Books |
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Orientalism Transposed: The Impact of the Colonies on British
Culture, co-edited with Julie F. Codell (Ashgate Press: 1998). |
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Art and the Victorian Middle Class: Money and the Making of
Cultural Identity (Cambridge University Press: 1996). |
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Articles and Essays |
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“The Politics of Vision: Disney, Aladdin, and the Gulf War,”
The Emperor’s New Groove: The Disneyfication of our Children,
ed. Brenda Ayres (Peter Lang:2003), pp. 253-74. |
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“Eliza Bowen Jumel and the Politics of Cultural Space in Early
America,” Journal of the History of Collections, vol.
13:1 (2001), pp. 57-75. |
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“Homosociality and Middle-Class Identity in Early-Victorian
Patronage of the Arts,” in Gender, Civic Culture and Consumerism:
Middle-Class Identity in Britain 1800-1940, ed. Alan Kidd and
David Nicholls (Manchester University Press: 1999), pp. 65-80. |
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“Orientalism Transposed: The ‘Easternization’ of
Britain and Interventions to Colonial Discourse,” Editors’
Introduction, Orientalism Transposed: The Impact of the Colonies
on British Culture, ed. Julie F. Codell and Dianne Sachko Macleod
(Ashgate Press: 1998), pp. 1-10. |
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“Cross-Cultural Cross-Dressing: Class, Gender and Modernist
Sexual Identity,” in Orientalism Transposed: The Impact
of the Colonies on British Culture, ed. Julie F. Codell and
Dianne Sachko Macleod (Ashgate Press: 1998), pp. 63-85. |
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“The ‘Identity’ of Pre-Raphaelite Patrons,”
in Reframing the Pre-Raphaelites, ed. Ellen Harding (Scolar
Press: 1996), pp. 7-26. |
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“The New Centurions: Alma-Tadema’s International Patrons,”
in Sir Lawrence Alma-Tadema (Amsterdam and Liverpool, Van
Gogh Museum and Walker Art Gallery, Rizzoli: 1996), pp. 91-98, 274-76. |
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“Pre-Raphaelite Women Collectors and the Female Gaze,”
Journal of Pre-Raphaelite Studies, n.s. vol. 5 (Spring 1996),
pp. 42-52. Reprinted in Collecting the Pre-Raphaelites: The Anglo-American
Enchantment, ed. Margaretta Frederick Watson (Ashgate Press: 1997),
pp. 109-20. |
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Book Reviews |
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Deborah Cherry, Beyond the Frame: Feminism and Visual Culture,
Britain
1850-1900 (Routledge: 2000), Art History vol. 25 (August 2002),
405-07. |
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Review of Kate Flint, The Victorians and the Visual Imagination
(Cambridge: 2000), in Nineteenth-Century Literature (Sept/Dec. 2001),
268-71. |
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Review of Susan P. Casteras and Alicia Craig Faxon, eds., Pre-Raphaelite
Art in its European Context in Journal of Pre-Raphaelite Studies
vol. 6 ( Spring 1997), pp. 99-101. |
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Encyclopedia and Dictionary Entries |
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Entries on Ellen Heaton, James Leathart, Thomas Plint, F. G. Stephens,
and William Wells, New Dictionary of National Biography (forthcoming:
Oxford University Press: 2004). |
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Four entries on Victorian patrons and critics, in Dictionary
of Art, 32 vols., ed. Hugh Brigstocke (Grove: 1996). |
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