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Lecturer, Program in Art History |
Education
Princeton University
Ph.D. in Art and Archaeology, 2006; M.A., 1999
Dissertation: The Parma Baptistery and Its Pictorial Program
Advisor: Slobodan Ćurčić; Second Reader: Patricia Fortini Brown
Università degli Studi di Torino
Laurea in Lettere Moderne, 1996(summa cum laude)
Thesis: Gli affreschi della Cappella del Crocifisso nella chiesa di San Zan Degolà a Venezia
Advisor: Giovanni Romano
Archivio di Stato di Venezia
Paleography and Archival Research. 1994 – 1996 |
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Awards and Fellowships
Metropolitan Museum of Art
Jane and Morgan Whitney Fellow, Department of Medieval Art and The Cloisters, September 2006 – August 2007
Columbia University
Associate Research Scholar, Italian Academy for Advanced Studies in America,
September 2005 – April 2006
Princeton University Awards:
Charlotte Elizabeth Procter Honorific Fellowship - 2001-2002
Awarded in recognition of outstanding performance and professional promise, represents high commendation from the Graduate School.
Department Support for Research in Rome - 2000-2001
Stanley J. Seeger Fellowship, Princeton Program in Hellenic Studies - 1999
Fulbright Student Fellowship to Princeton University - 1996-1997 |
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Teaching
University of California, Davis
Visiting Lecturer, Department of Art and Art History and Medieval and Early Modern Studies Program, September 2008 – June 2009
University of Iowa
Visiting Assistant Professor, School of Art and Art History, August 2007 – May 2008
Columbia University
Lecturer, Columbia University Summer Term, 2007, 2008 and 2009
Università degli Studi di Milano
Adjunct Professor, Dipartimento di Storia delle Arti, della Musica e dello Spettacolo, Spring 2003 and 2004 |
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Publications
“Apocalypse Drawing,” in Pen and Parchment: Drawing in the Middle Ages (Metropolitan Museum of Art, June 02 – August 23, 2009), ed. Melanie Holcomb, New York: Metropolitan Museum of Art, 2009 (forthcoming)
“Un Erode veneziano al Metropolitan,” in Per i settant'anni di Giovanni Romano, Savigliano (Torino): L'Artistica, 2009 (forthcoming)
“I palazzi di Venezia,” in Venezia e le sue lagune. Patrimonio dell'Umanità, dialogo di culture: quale futuro?, ed. C. Preziuso, DVD, Roma (UNESCO) 2008
“Parma 1233: pittura e iconografia in un battistero gotico,” in L’arte medievale nel contesto, 300-1300: funzioni, iconografia, tecniche, ed. P. Piva, Milano 2006, pp. 509-515, 524-526
“Stile e contesto: gli affreschi di San Zan Degolà a Venezia,” in Venezia e Bisanzio. Aspetti della cultura artistica bizantina da Ravenna a Venezia (V-XIV secolo), ed. C. Rizzardi, Venezia, Istituto Veneto di Scienze, Lettere ed Arti, 2005, pp. 513-579
“1233 – Byzantinizing the Parma Baptistery,” Miscellanea Marciana XVII, 2002, pp. 71-81
“A Closer Look at Two Early Italian Painted Panels,” Record of The Art Museum Princeton University LIX, 2000, pp. 50-55
“Un apocrifo bizantino nei dipinti duecenteschi del Battistero di Parma,” Archivio Storico per le Province Parmensi LI, 1999, pp. 429-456
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Conference Papers and Lectures
“Images After 1204: Transmission vs. Cultural Encounters,” Global Encounters: Legacies of Exchange and Conflict (1000-1700), University of North Carolina, Chapel Hill (November 14, 2008)
“The Portfolio by Villard de Honnecourt, the Wolfenbüttel Musterbuch and the Paintings in the Parma Baptistery,” Medieval/Renaissance Forum, Yale University, New Haven (November 6, 2008)
“Context and Monumental Sculpture at the Cloisters,” Gallery Talk, The Cloisters, Fort Tyron Park, New York (August 4, 2007)
“Maniera Greca and the Transmission of Images,” 2007 Fellows Colloquia, Metropolitan Museum of Art, New York (March 20, 2007)
“Importing Images, Changing Meanings: Byzantine Iconographies in the Western Mediterranean,” A Mosaic of Cultures - Artistic Interactions in Medieval Europe, Byzantium and the Islamic World, Villanova University, Philadelphia (March 19, 2005)
“Dopo il 1204: ripercussioni dell'arte crociata in Occidente,” IV Crociata: la partecipazione europea, le reazioni, la risonanza, Istituto Veneto, Venezia (May 6, 2004)
“Politics and Painting in the Parma Baptistery,” Pictor in Carmine Conference, Institute of Fine Arts, New York University (October 18, 2003)
“Conflicting Space: The Cupola of the Parma Baptistery,” The Return of “the Dome”: Ideas on the Study of History, Princeton University (May 11, 2002)
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Teaching
Visiting Lecturer, University of California, Davis
Winter 09
Themes in Medieval Culture: Images, Power, Belief
Winter 09
Seminar in Medieval Art: Cross-Cultural Interaction in the Visual
Arts of the Medieval Mediterranean
Spring 09
The Late Medieval and Early Modern Period
Spring 09
Art of the Middle Ages: Gothic
Visiting Assistant Professor, University of Iowa
Spring 08
Masterpieces: Art, Power and the Body
Spring 08
Introduction to Medieval Art
Spring 08
Medieval and Renaissance Venice
Fall 07
Introduction to Art and Religion
Fall 07
Introduction to Medieval Art
Fall 07
Narrative in Medieval Iconography
Lecturer, Columbia University
Summer 08
Medieval Art in Manhattan
Summer 07
Medieval Art in Manhattan
Professore a contratto, Università degli Studi di Milano
Spring 04
Storia dell’Arte Medievale
Spring 03
Storia dell’Arte Medievale
Teaching Assistant, Princeton University
Fall 01
Italian Renaissance Painting and Sculpture
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Languages
Italian (native), English, French. Reading knowledge of Latin, German, Ancient Greek, Modern Greek
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